Era Inducted To: Radio Era
André Lejeune found the lyrics for this song in the form of a poem left on a table corner by his friend and then neighbour Guy Godin. Touched by the beauty of the text, Lejeune immediately suggested setting it to music. Godin accepted, and thus was born the most successful song of André Lejeune’s entire career.
The runaway success of Une promesse brought Lejeune to perform in Europe and in the United States, a rare accomplishment for a French Canadian artist at that time. Charles Aznavour’s manager Jean-Louis Marquis was also very impressed with the young singer, and invited him to Paris for a series of shows.
Interested in pursuing a career in the U.S., Lejeune performed his song on ABC’s The Joe Franklin Show. Later nicknamed ‘The French Boy’, Cashbox Magazine predicted that the Quebec artist was destined to an enormously successful career in the U.S. Lejeune went on to appear on more American variety shows, including The Jack Parr Show on NBC. The young performer made a strong impression on the American public, and received many interesting offers.
Following a bad experience with a sly, aggressive agent, Lejeune returned to Quebec where his popularity had kept growing and where he received a hero’s welcome. In 1959, Une promesse won the Best Canadian Composition Award as part of Montreal radio station CKAC’s Grand Prix du Disque. Following the success of the piece, Lejeune toured Quebec’s clubs and ‘boîtes à chansons’, and gave a triumphant performance at the Comédie Canadienne theatre with Jean Coutu in a programme of song and poetry. Lejeune continued to perform in the U.S. with well-known orchestras for audiences that wanted to hear more from ‘The French Boy’.
Une promesse remains to this day André Lejeune’s greatest hit in a career that produced some 30 top-charting songs and hundreds of original works.
COVER ARTISTS INCLUDE: Lionel Renaud and Cindy Daniel