Toronto, ON (March 1, 2023) – The Canadian Songwriters Hall of Fame (CSHF) is pleased to announce its first Inductee to the Class of 2023 – celebrated Celtic fusion singer-songwriter Loreena McKennitt. Her masterful songwriting, ethereal soprano voice, and imaginative arrangements that combine her passion for traditional Celtic music with world music influences, have forged her own distinctive genre of ‘eclectic Celtic.’
The CSHF will honour Loreena McKennitt on Wednesday, March 8th at the Opera House in Toronto to celebrate her esteemed catalogue spanning nearly four decades. The Induction presentation will be one of the highlights of the Women in Music Canada Honours event. The inaugural program celebrates and supports female Canadian innovators and creators who have had outstanding success in their field.
“Loreena is a musical enigma whose songs are seamlessly timeless yet current; rooted in tradition yet inventive. She is a storyteller who can weave through eras, cultures, and transcend boundaries,” says Stan Meissner, Board Chairman, CSHF. “Loreena has achieved global success on her own terms and has remained steadfast as an independent recording artist, which is both admirable and deserving of recognition.”
“I am deeply honoured to be receiving this recognition,” says Loreena. “For 25 years this organization has shown a deep devotion to celebrating and promoting Canadian songwriters and this country’s rich, musical legacy. We have all been enriched by their work. I feel so privileged to have my name added to their list of distinguished Canadian songwriters.”
Loreena McKennitt relocated from Winnipeg to Stratford, ON in 1981, and began her career as an actress, singer, and composer for the Stratford Festival, appearing in The Tempest (1982) and The Two Gentlemen of Verona (1984). In 1985, she learned to play the troubadour harp and embarked on a solo music career, founding her Quinlan Road label and financing her Irish-based debut recording, “Elemental,” by busking in Toronto.
Early on, McKennitt decided to focus her songwriting on her passion, Celtic music, rather than autobiographical songwriting. Her original songs and her skilful musical arrangements of time-honoured English and Irish poems, such as Tennyson’s Lady of Shalott and W.B. Yeats’s Stolen Child, were part world music, folk-roots and Celtic Wave infused with a classical finesse.
After forging a distribution deal with Warner Music Canada, she won her first JUNO Award in 1992 for the multi-platinum album “The Visit,” and her second JUNO win for Best Roots Album came in 1995 for for “The Mask and Mirror,” exploring Celtic connections to Spanish and Arab music. She has garnered a total of 11 JUNO nominations, including three for Best Female Vocalist and Artist of the Year in 2007.
She followed this with “The Book of Secrets” and its JUNO-nominated single The Mummers’ Dance, its chorus borrowed from a traditional Oxfordshire song. The album became her highest-charting effort, at No. 3 on Billboard and selling over four million copies worldwide, of which over two million were in the United States. Her hit The Mummers’ Dance earned a BMI Award and is now a SOCAN Classic.
The album featured McKennitt’s inventive fusion treatments as a multi-instrumentalist, combining keyboards, harp, and acoustic and electric guitars with world-music instruments (bodhran, bouzouki, kanoun, oud, tabla, etc.) and early-music instruments (hurdy gurdy, viola de gamba, shawm). Her subsequent albums “An Ancient Muse” and “Troubadours on the Rhine” both earned GRAMMY® nominations.
McKennitt has sold more than 14 million records world-wide. Available in more than 40 countries, her albums have garnered critical international acclaim, and gold, platinum, and multi-platinum awards in 15 countries across four continents including Canada, the United States, Australia, New Zealand, Brazil, France, Spain, Italy, Turkey, and Greece.
She has also composed music for a wide range of films. Her first screen credits include the National Film Board of Canada’s Women and Spirituality series (1989 – 1993) and Jean-Claude Lauzon’s Léolo (1992). McKennitt contributed both music and narration for Disney’s Santa Clause (1994) and Tinker Bell (2008).
In 2021 McKennitt marked the 30-year anniversary of her ground-breaking album “The Visit” by releasing a special Definitive Edition package including archival materials. She recently wrapped her “Under a Winter’s Moon” Tour and released a new album of the same title featuring carols and readings by Indigenous actor Tom Jackson, Gemini award-winning actor Cedric Smith, and Ojibway artist and flautist Jeffrey “Red” George.
Following her induction presentation in Toronto, a permanent exhibit will be dedicated to Loreena at the Canadian Songwriters Hall of Fame at the National Music Centre in Calgary. This year the CSHF will mark its 25th anniversary of celebrating Canada’s greatest songwriters and Inductees.
ABOUT CANADIAN SONGWRITERS HALL OF FAME
The Canadian Songwriters Hall of Fame (CSHF) honours and celebrates Canadian songwriters and those who’ve dedicated their lives to the legacy of music; and works to educate the public about these achievements. National and non-profit, the CSHF is guided by its own Board of Directors, who comprise both Anglophone and Francophone music creators and publishers, as well as representation from the record industry. In December of 2011, SOCAN (the Society of Composers, Authors and Music Publishers of Canada) acquired the CSHF. The Hall of Fame’s mandate aligns with SOCAN’s objectives as a songwriter and publisher membership-based organization. The CSHF continues to be run as a separate organization. www.cshf.ca
Tran Nguyen, Centric PR