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Kate & Anna McGarrigle

Year of Induction: 2025
Origin: Saint-Sauveur-des-Monts, QC

Sisters Kate and Anna McGarrigle earned a loyal international following for their unique and appealing marriage of English and French folk styles, in an era when hard rock and disco dominated. Sticking steadfastly to their own path, Kate and Anna McGarrigle made a lasting mark on roots music across North America and internationally.

Born to a French-Canadian mother and Irish father, Kate (born Catherine Frances McGarrigle in 1946) and Anna Ruth McGarrigle (born 1944) enjoyed a small-town childhood in Saint-Sauveur-des-Monts, Quebec, in a home steeped in French-Canadian folk music and timeless American music including the songs of Stephen Foster.

The sisters explain how their careers evolved: “We were taught to sing at home, but mostly we sang because we had fun. It wasn’t until much later, in our twenties, that we began singing together.” While attending university (Kate at Montreal’s McGill University and Anna at Ecole des Beaux-Arts de Montreal), the sisters fell under the spell of the folk-music revival recordings of Bob Dylan and Joan
Baez. They began performing Dylan covers with the folk group The Mountain City Four in 1963 at Montreal coffee houses. There they developed their idiosyncratic guitar- and piano-based arrangements, combining traditional Quebec folk instruments like harmonica, fiddle, and button accordion with Appalachian banjo and mandolin.

The sisters went on to bring this informal old-time sound to their music with songs such as Talk to Me of Mendicino, Love Over and Over, and Cool River. Kate explained, “I think that’s why we have an original sound. We didn’t try to imitate anyone.” After university, Kate left Canada to explore New York City’s folk music scene, as did other Canadians like Ian and Sylvia Tyson. When Kate told her sister that others were writing their own material like Dylan and the Tysons, Anna sat down at the piano, in one afternoon composing Heart Like a Wheel, the song that became their trademark.

Kate then turned her hand to songwriting as well, and in 1973 rising star Maria Muldaur recorded The Work Song on her hit debut album. The following year another rising star, Linda Ronstadt, recorded Heart Like a Wheel on her breakthrough album, launching the McGarrigles’ career as songwriters.

Reflecting on what Heart Like a Wheel meant to the McGarrigles, Kate’s son Rufus Wainwright explained, “My mother and aunt hadn’t planned on being professional songwriters, but when Ronstadt picked up the song, it altered their paths and accidentally led us all [including himself and sister Martha] into a life in show business.”

The McGarrigles became sought-after songwriters – but ones who had not yet recorded their own music.

By May 1974, Saint-Sauveur-des-Monts’ McGarrigle sisters were in Los Angeles, signing with Warner Brothers. Their much-admired debut album Kate and Anna McGarrigle offered an eclectic mix of folk, folk-pop, gospel, and blues, English and French lyrics.

With their names in the spotlight in North America and the U.K., where the influential “Melody Maker”magazine declared their album the best of the year, the McGarrigle sisters embarked on tours and issued well-received albums like “Dancer with Bruised Knees,” “Pronto Monto,” and “Entre la jeunesse et la sagesse” (“The French Record”). 1983’s Love Over and Over combined a contemporary rock sound with their signature roots approach, and 1990’s “Heartbeats Accelerating” offered a synth-based new wave-
meets-folk sound.

Juno awards for group roots and traditional album followed in 1997, for “Matapédia” and in 1999 for “The McGarrigle Hour.” The McGarrigles’ timeless songs have been covered by artists like Grammy-winning jazz artist Norah Jones, the timeless Nana Mouskouri, folk’s Loudon Wainwright, Ireland’s The Corrs, and many more. The McGarrigles’ producer Joe Boyd said, “That Kate and Anna McGarrigles’songs are strong enough to support singers as diverse as Muldaur, Rufus Wainwright, and Bette Midler puts them firmly in the front rank of songwriters.”

Among other major artists who have covered the McGarrigles’ songs are Ronstadt (her 1993 cover of Love Over and Over was a chart hit) and Emmylou Harris, whose cover of Anna’s nostalgic Goin’ Back to Harlan, appeared on her Grammy-winning album “Wrecking Ball.”

In the 2000s the McGarrigles were showered with awards, including the Order of Canada and SOCAN’s Lifetime Achievement Award. After Kate developed cancer, the sisters last performed together in 2008. Kate died in 2010. When the sisters were awarded the Mojo Roots prize, Emmylou Harris said, “When I first heard these two ladies back in 1975…I was stunned at the beauty of their songs and the combination of their voices…. They still remain artists that stir me in my soul.”

In 2016 the McGarrigles’ debut album received the Polaris Heritage Prize. The album by two small-town Quebec sisters is now regarded as a classic of Americana roots music

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